Connections…

How we each connect to events and stories … how our personal connections make them more real for us. My context here is the story Philippe Sands tells in East West Street. (See my last post.)

Poetry is a powerful connector. Sands quotes the Polish poet, Jozef Wittlin, ‘the poet of hopeful idylls’.

‘Where are you now, park benches of Lwow, blackened with age and rain, coarse and  cracked like the bark of medieval olive trees,’ he wrote in 1946.  (Lwow has many names – Lvov, Lemberg, Lviv.)

‘I can hear the bells of Lwow ringing, each one rings differently. I can hear the splash of the fountains in market square, and the soughing of fragrant trees, which the spring rain has washed clean of dust.’

I was reminded of a powerful poem I discovered two or three years ago, To Go To Lvov, by Adam Zagajewski.

To leave/in haste for Lvov, night or day, in September/or in March. But only if Lvov exists,/if it is to be found within the frontiers and not just/in my new passport, if lances of trees/—of poplar and ash—still breathe aloud …

Why do I connect to this – to the many identities of Lvov, its history, the frontiers that change around the city, but the city remains?

In part because in the foolishness of our own times, and the mega-weight of warfare we can bring to bear, and the arrogance of our notions of superiority, we have destroyed cities and communities which date back to biblical times. ‘Our notions’ – innocent, protesting our innocence, we have disturbed the age-old patterns, the habits and simple tolerance that allowed people’s and ways of life to rub along – sometime only just, but they did –  they rubbed along together.

But more, even more, because of the destruction of the Jewish community in Poland and Ukraine.

Martin Buber lectured in Lemberg. He was a passionate advocate of Jewish and Arab coexistence in Palestine, and author of ‘I and Thou’, and he’s long-time hero of mine. Coexistence. Two peoples, side by side. 

Sands’ grandfather moved from Lemberg to Vienna, his mother Ruth escaped Vienna on a train in 1939. Also in that decade, though earlier, my professor at the Warburg Institute, Ernst Gombrich, had left Vienna for London, along with many others from the Jewish community of that remarkable city.

Gombrich suggested to me I might make the Jewish ghetto in 18th century Venice my subject for a PhD thesis. That sadly never happened.

One final link. I see that Sands serves on the board of the Hay Festival, from which we’ve just returned. His advocacy of human rights in the context of international law matches the mood and commitment of many of the speakers at Hay … matches the mood of so many people around the world, their belief that their own small contributions, taking in the aggregate, will ultimately turn the tides of history around, and we as individuals whatever our groups, communities, countries, will come to see ourselves as citizens of the world.

The Camino and the poem

I didn’t carry a book of poems with me on the Camino. I thought about it. But I wanted all my responses to be my own, and not guided by the insights of others. Now I’m back, and I’m reading, and writing.

Antonio Machado has a reminder of another way of walking:

I have walked many roads, / I have found many paths; / I have sailed a hundred seas, / and landed on a hundred shores…

And in all places I have seen/ people who dance and play, / when they can, and work / their four spans of land.

Never when they come to a place / do they ask where to go. / When they make their way, they ride / on the back of an old mule / and do not know to hurry /not even on the days of the fiesta…

We’re privileged to walk the Camino. Countless others have travelled before us, and they’ve travelled wisely, and slowly. (Walking slowly is something I’m not always too good at, as my Camino friends will testify!)

Robert Frost’s The Road Not Taken reminds us of chance and serendipity:

…Two roads diverged in a wood, and I – / I took the road less travelled by, / And that has made all the difference.

There is of course only one route westward (and a few diversions) on the Camino. But is there? Depending on when you start, the month, the season, the weather, the clouds, the shadows – there are a thousand routes.

Rudyard Kipling’s The Way through the Woods catches the sense of those who’ve travelled a path before us:

…Yet, if you enter the woods / Of a summer evening late… / You will hear the beat of a horse’s feet, / and the swish of a skirt in the dew / Steadily cantering through / The misty solitudes

This is a corner of England, not Spain, and it’s woodland, and the path is no more… but the resonance is still there. And that sense of impermanence: the Camino hasn’t always been there, and won’t always be there.  We are our own moment in time.

I was always conscious on the Camino of those who’d walked before me, maybe a thousand years ago. St James never walked the way, but as Santiago Matamoros he led the Spanish army against the Moors, so legend would have it. He could also be my companion, and to see what I mean by that check out another post, with two poems of my own, under the heading ‘Shadow – four poems’.

On another tack, there’s Pablo Neruda:

And that’s why I have to go back / to so many places in the future / there to find myself… / with no task but to live / with no family but the road

I love Neruda but there’s a Rilke poem I can’t find that captures the idea of the future, of a light ahead we never reach, even  better.

[Rilke poem, The Walk, now found, thanks to my friend, Sarah, my companion for three days on the Camino.

Already my eyes touch the sunlit hill/Far ahead of the road I have just begun/ So we are grasped by what we cannot grasp;/We see its light even from a distance –

And it changes us, even if we do not reach it,/Into something else, which, hardly sensing it, we already are;/A gesture seems to wave us on, answering our own wave,/But what we feel is the wind in our faces.]

Finally, another, and famous, Machado:

Walker, your footsteps / are the road, and nothing more.

Walker, there is no road, / the road is made by walking.

Walking you make the road, / and turning to look behind / you see the path you never / again will step upon.

Walker there is no road, / only foam trails on the seas.

We experience highs and the lows, joys and sorrows, we walk in company and alone, we laugh and we keep silence. There’s a poem somewhere which captures every mood.

Or almost does, which is why we keep writing our own poems. No-one quite captures a moment or a mood as we do ourselves. We only need the pen, and the silence.