The story so far – fifteen months on the disaster trail

The shadow over politics, the Brexit shadow, is one vast distraction. I feel I have to escape the shadow before I address other political subjects. But those other subjects – they’re all impacted in some way by Brexit, not least by the uncertainty associated with Brexit.

Take the environment, for example. UK environmental law is tied into European. Projects are EU-financed, standards, ideals, aspirations are shared. I remember at Finistera, at the end of the Camino, last autumn, noting how environment projects there were funded by the EU. I’d shared the Camino with many nations, and I loved that confirmation that many nations shared those standards, lived by a common framework. We know that Brexit free-traders cosy up to climate-change deniers, are casual about man-made changes to the environment – human ingenuity, they argue, has coped, and will always cope. All hinges on that one word ‘cope’.  Does the world we have around us, and that we’re projecting for our futures, mean that we’ve ‘coped’?

Human rights – the European Convention on Human Rights, which followed on from the UN Convention, and unlike the UN Convention is legally enforceable. Before the European courts. So for that reason we should exit it, according to Theresa May. As Philippe Sands (author of the remarkable East-West Street) pointed out when talking at the Cheltenham Literary Festival last Sunday, more than any other country we – the UK – gave Europe the convention. It was a British inspiration. Hersch Lauterpacht, who pioneered so much (beginning life in Lviv, in modern Ukraine: he left in the 1920s, his family were wiped out in the holocaust), was latterly a Cambridge professor.

Farming policy: how will policy change, how will farmers be financed, once we exit the EU, and exit the Common Agricultural Policy? CAP funding is based primarily on the amount of land farmed , so big farmers (mostly Tory supporters) benefit most. On the other hand, to quote a Scottish hill-farmer in a Reuters report: ‘The bloody-mindedness of the French or the Irish in standing up for agriculture was not just standing up for their farmers but brought a good deal for us as well.’ Post-Brexit, where will the money be directed? We are promised ‘a major policy overhaul’. Will the acreage farmed continue to dictate funding?  How might our landscapes change? Will the much-hyped new trade deals bring in cheaper farm imports , with knock-on effects on farm prices – other farming countries have more clout than we do. And what of cheap farm labour from Eastern Europe?  Michael Gove wants to prioritise the environment in any new scheme. But we’ve no idea how that will work out in practice, and legislation will be fast-tracked through parliament – fundamental changes pushed through with minimal public debate.

The Cheltenham Literary Festival has brought to the town an impressive range of politicians, journalists, singers (Peggy Seeger), mountaineers (Chris Bonington), sportsmen (Mike Brearley, Jonny Bairstow), TV stars, performers, poets, novelists….

Among the politicians was Chris Patten. I’ll leave his words to speak for themselves.

Referenda ‘are fundamentally anti-democratic in our system and I wouldn’t have anything to do with them’. (I can’t recall Patten’s exact words in Cheltenham – I’m quoting from another interview he gave.) Leavers in the Brexit campaign peddled a dubious notion of sovereignty (‘dubious’ was his polite word in Cheltenham – I see that elsewhere he’s spoken of ‘all this ideological crap about sovereignty and taking back control’). Brexit itself is ‘the single most calamitous act of self-harm in my lifetime’.

Philippe Sands, also at Cheltenham, put the remarkable achievement that the EU represents in the context of the preceding centuries of war. How casual can we be to turn our backs? He mentioned that Boris Johnson has been a friend for thirty years. How, he wondered, do you sustain such friendships in present times? Brexit has brought the obsessive tendencies of the further reaches of the Right, and Left, to centre stage. The centre ground of rational idea-based, truth-invigilated debate, is out of fashion.

Boris’s dad, Stanley, has written a novel. He and Vince Cable, also a new novelist, were a Cheltenham double-act. Boris’s novel assumes a Russian plot behind Brexit, enough to bring Brexit down. But he himself has changed sides from EU-supporting environmentalist to that contradiction in terms, a Brexit-supporting environmentalist.

Vince Cable outlined how higher education, the number of foreign students in the UK, intra-university cooperation across Europe were being threatened by Brexit. Stanley’s response, ‘Vince may be right, but he may not be.’ That was the limit of his response.

‘He may not be’ – that is standard Brexit-speak. You don’t need to address the detailed argument. It’s enough to suggest these days that’s there’s another point of view, however weak. And that point of view gets equal billing. The climate-change debate over again.

Jeremy Hunt, health secretary, is a one-time Remainer, now a Leaver – the damage, he suggests, to the economy that leaving was supposed to cause hasn’t happened. Is he now a convert to the hard-Brexit free-traders’ prognosis of a free-trade nirvana which will somehow subvert a world where protectionism and self interest are ever more asserting themselves? Or the Hammond soft version?

As the economy,  we haven’t left yet, we’re in a phoney-war period, a state of suspended grace which might just allow us to pull back from the brink – but the brink is too enticing. That itself is another aspect of Brexit – how supposed conservatives, the slow and steady incremental movers of politics, overnight become practitioners of brinkmanship.

Brexit is not only a bizarre course in terms of the economy, it is extraordinarily damaging to the democratic process, not just by giving referenda precedence over parliamentary democracy (so we have the question, can an act of parliament over-ride a referendum result – where does sovereignty lie?) but by polarising debate, taking out the common ground that most of the Right and Left shared until 2015.

Not only is the common ground not shared – it’s now scorned. So the John Majors, Chris Pattens, Nick Cleggs – they are old-school, flag-wavers of a different age. That would apply to me, and to most of my peers …

 

A puzzling innocence

Back in January I wrote a poem which touched on a nightmare which I trusted with the bright and clear skies, and warmth, of June would evaporate. It didn’t, of course.

There is a foolish innocence abroad in the land. I thought back in January that we could all handle it with gentle irony. Now it’s for real – and the irony, still gentle, has a sharper focus. Irony better than anger? I’m not sure!

*

A puzzling innocence
at home on English shores

Is it a puzzling innocence, that we should wish
to shake ourselves free of all the sand and salt,
a dog out of the waves,

more than sand and salt –
we would be somewhere else, another beach –

the same waves, the same wrack and kelp,
but the sea would be somehow different,

the tide driven by another moon and
under that new moon we’d trade our goods

beyond our shores unfettered, be more English –
the moon an English moon –

ours would be
a calculated innocence, a glorious future,
an imagination of a past when we rode oceans –

grew rich on other lands – unshackled, the sea
we’d command would stretch no more than

a few miles off our shores, yet we would
still be lords –  you say,

                         it’s bright-eyed innocence
to see only the benign, the old navy afloat,
a few new tugboats on calm and peaceful waters –

but who needs containers in this grand design –

where once we traded pounds we’d trade in pence
and who are you to say, that’s not a better way

(c) Chris Collier, January 2016

Troubadours for our time

Leonard Cohen and Victor Jara 

Troubadour, two definitions : 1) medieval lyric poet/musician; 2) a singer, especially of folk songs. (Merriam Webster) It’s the first definition I like.

The death of Leonard Cohen set me to thinking. Who might be the troubadours of our own time? Troubadours for our time?

I tried in an early version of this post to characterise Leonard Cohen as somehow in that medieval tradition. As a poet of love, even courtly love. He was inspired and tormented by his muse, and his audience connected and were inspired in turn. But I’m foolish to try and say more than that. The more I listen to his songs the more in awe I am. There’s a fine piece by Edward Doxx connecting Cohen to John Donne. It gets closer than I ever could. He quotes Cohen:  ‘So come, my friends, be not afraid/We are so lightly here/It is in love that we are made/in love we disappear.’

Cohen didn’t take up the cudgels against violence and injustice, as Dylan once did.  Nor did he understand ‘the other side’ quite as Woody Guthrie did: ‘As I went walking I saw a sign there/And on the sign it said “No Trespassing.”/But on the other side it didn’t say nothing,/That side was made for you and me.’

But he did write and sing ‘Democracy’, which lays bare a dysfunctional USA, but in the midst of it all just about finds reason for optimism. ‘It’s coming to America first,/the cradle of the best and of the worst./It’s here they got the range/and the machinery for change/and it’s here they got the spiritual thirst.’ 

Asked two years ago if songs can offer solutions to political problems, he replied, ‘I think the song itself is a kind of solution.’

Dylan back in the 60s confronted the ‘masters of war’ and racists: ‘William Zanzinger killed poor Hattie Carroll,/with a gun that he twirled around his diamond ring finger.’ There was a rawness about Dylan back then, just voice and guitar and a language we’d never heard. There’s something about a troubadour who carries his guitar and gathers an audience around him wherever he might be. (Once or twice I did just that!) No band in sight.

Dylan put overt protest behind him, took on another persona,  many personas – but he’s still the troubadour.

As for others …..Buffy Sainte-Marie has long been a favourite of mine. ‘Welcome welcome emigrante,’ words for our own time as much as hers. Pete Seeger and Euan MacColl were at the political coal-face: amazingly MacColl also wrote ‘The first time ever I saw your face’. Joan Baez has never lost her touch or her commitment, or her ability to inspire. She was the first for me, back over fifty years ago.

Bruce Springsteen, a man with a guitar, and a rock band. A different kind of troubadour. As for Steve Earle, ‘hardcore troubadour’, Springsteen may have been the ‘consummate chronicler of welfare-line blues, but Steve had lived the life’. (Lauren St John).

There’s another , who I’ve just re-discovered, playing my old vinyls. Someone who maybe I should have put first, ahead even of Cohen, Guthrie, Dylan. I’m thinking of Victor Jara, a Chilean troubadour who died for his songs, his poetry, his guitar, his beliefs, his hands first broken, and then murdered in the stadium in Santiago on 1973, when Pinochet with CIA backing overthrew the Allende regime. His songs have a purity and a magic, and a simple beauty, and they stop me in my tracks.

Yes, my guitar is a worker/shining and smelling of spring/my guitar is not for killers/greedy for money and power/but for the people who labour/so that the future may flower. (His last poem, which could never be a song, written in the stadium.)

The Beatles could have been troubadours, if they’d followed the direction taken by Penny Lane and Eleanor Rigby. Ralph McTell (Streets of London) was memorable, though sentimental. Billy Bragg never sentimental, stridently political, a street singer. But in truth he never inspired me. One song that did was Peter Gabriel’s lament for Steve Biko, which is searing, searching, and angry.

Edith Piaf, Charles Aznavour, Yves Montand… chanteurs/chanteuses, troubadours. There’s a Gallic intensity we Brits and Americans find hard to match. They’ve inspired me, but they’re not my focus here.

For I’ve a question. For anyone who reads this, for my children, for generations born in the 1970s, 80s, 90s, even the noughties.

Who are your troubadours?

Singers and poets for whom words matter, for whom stories matter, for whom love matters, and above all – injustice. Who sing to be heard, and to be understood. Who sing with passion and with anger.

Back in the 60s the civil rights movement galvanised us, in the UK as well as the USA. Apartheid likewise. We’d a sense that history was on our side, justice and social justice would prevail. Now, in 2016, post Brexit and the Trump election we’re on the defensive. Nativist, racist and sexist attitudes find favour. Trump somehow finds the rule of law and torture compatible.

(Trump and torture reminded me of Victor Jara. Pinochet’s soldiers thought torture and death legitimate. Once hatred in engendered anything is possible.)

Who is singing for us, writing songs, wanting to be heard? Who will be singing?

Maybe we’ve been listening to the music too much in recent decades, and we’ve forgotten the song.

Taking politics out of zenpolitics …

Back before I took ten days out from the world I wondered about the future of my zenpolitics blog. ‘Politics and creativity, blogs and poetry are uneasy bedfellows….There has to be something obsessive about a political blog, and I may want to put obsession behind me.’

Which, indeed, I do.

Trump happened while I was away. Here in the UK, judges insisted that the government couldn’t invoke Article 50 without first putting it before parliament. Theresa May had an embarrassing trip to India. She looked out of her depth. I could but don’t want to comment on all this. I’ve spent years doing so, and especially in this Brexit year. But with so much going on it’s almost a full-time job just to keep up to speed. Let alone comment.

We are in a time of crisis. Zenpolitics has always assumed a continuing broadly liberal agenda in Western politics, and that’s now very much under threat. If, as the Economist argues, Trump’s success is replicated in Europe, ‘the EU may eventually tilt toward a common assembly for mutually beneficial transactions rather than a club of like-minded countries with a sense of shared destiny’.

I will continue to argue for that shared destiny.  But to look out for insights and inspiration, and anomalies, and avoid day-to-day combat. Insights into politics, but also I hope into landscapes, real and imaginary, and travel.

I will as always aim to understand the other’s point of view. But there are a good few bastards out there, not to put too fine a point on it.

So I will sometimes fail.

Back to the world after ten days of silence 

I posted the message below on Facebook last Sunday. I wanted to put my feelings down while they were raw. Time inevitably anaesthetises, and I didn’t want to lose the impact of those morning hours. 

I’ve been out of all communication on a silent retreat in Herefordshire for ten days. (Why – another story and not for now!) I knew I’d be missing the American election but I had confidence. This morning a message from my daughter, Rozi, apologising for all the dreadful things that had happened in the world in my absence from it, concerned I might want to head back to my retreat and never come out again. That’s when I realised, 7.30 Sunday morning, that Trump had won.

Returning to the world after so long and so quiet away is emotional anyway. The Herefordshire countryside, the Black Mountains a high ridge out to the west, and the mist still lying in frosty fields, music on the radio… I was coping, just.

Back in Cranham – I learnt that Leonard Cohen has died. And that finally did bring out the tears.

I first sang Suzanne in a folk club in Oxford maybe fifty years ago, and I sang it again at an open mic evening just two week ago in Cranham. A few weeks before I’d sung That’s no way to say goodbye … And there was that wonderful radio programme recently about Marianne, and how they were in touch again shortly before she died.

‘It’s a cold and it’s a broken Hallelujah,’ in Cohen’s own words.

I and my generation have lost a hero. And there are new villains to fight. But there’s a new generation taking up the good fight and, thank God, my own children are out there among them.

All Hallows

Yesterday was All Hallows’ Eve, which makes today All Saints’ Day. Yesterday was also in warm and brilliant sunshine the last day of autumn (by my calculations anyway!) – the autumn colours burnt in the sun as I’ve rarely seen them, a multitude of shades, with their own luminescence – as if they didn’t need the sun to make them glow. Today is the first day of winter – the cloud is down on the hills, there’s a chill, the fire must be lit soon, and the leaves are thick on the ground. I raked them in the sunshine yesterday, but they’ve returned, and if I rake again, this time in the damp and gloom, they will return again, until the last one has fallen and I can put the rake away.

Yes, there’s an elegiac quality to all this. I listened to the adagio from the Elgar violin concerto driving back along the A419 heading toward the Cotswolds yesterday. That caught the mood. I knew this was the last day, the last of autumn, and there were not two hours till sunset.

The day before I’d listened to David Mellor on Classic FM, playing music from the Philharmonia under Otto Klemperer. A recording of Mahler’s Resurrection symphony when the great conductor was already in his 80s. He took it slowly. About the same time the recording was made I was, I remember, at a party at Professor Gombrich’s house. Ernst Gombrich was my professor at the Warburg Institute. Frau Gombrich mentioned they were going to hear Otto the following day. Otto being Klemperer. All with Viennese Jewish backgrounds, and the connections were still strong.

Klemperer had been recommended sixty  years before by Gustav Mahler (also that Jewish connection) to an orchestral position, and I felt my own connection listening to the final ecstatic bars of the symphony to Klemperer and Mahler. Almost a laying on of hands. Ridiculous in its way, but the music took me to another level. Triumphant – but also elegiac, and intensely moving.

Mahler died young, and two world wars had to work themselves out before Klemperer stood before the Philharmonia in the late 1960s.

I’ve felt betrayed by events this year – my values betrayed, values by which I’ve conducted by life over almost seventy years. The autumn leaves, the music, a sense of loss I wouldn’t ordinarily indulge. But I did this time, this once, just this once.

Time to chill out?

Tomorrow I’m heading off to Herefordshire for ten days’ vipassana (insight) meditation. Up in the very small hours and no contact with the outside world, and silent throughout. I will put all politics behind me. I will have no way of knowing the American election result until five days after the result is announced. Much as the result concerns me I will be better for it. Clinton or Trump, the world will take what direction it will. Likewise Brexit. I in my small corner will re-engage when the time comes, just to be part of the process.

But continue with my blog? Time to let the world loose, spare the world – and myself – my take on it? Who listens, who reads? All along, over seven years, I’ve tried to put over my own considered view. To understand the world from a (sort of!) Zen perspective, but at the same time to engage.

Some of us may choose to stand apart, others to engage. Both are equally valid. As I put it when I stared this blog seven years ago I wanted to [take] the trash and the hyperbole out of politics and [try] to look at people and issues in a way that’s detached from emotion and as they really are. Can be very hard to find these days. Zen is living in the moment and not somewhere else past or future….

The downside? Blogs take over. You organise your moment-by-moment, hour-by-hour thinking in terms of how it might appear in a blog. It’s harder to skim, to browse, to just absorb what you read or hear.

Worse, blogs and creativity, blogs and poetry are uneasy bedfellows. There’s a randomness, an complete unexectedness, something of the suck-it-and-see about poetry. You’ve a starting-point and a sense of direction. And no idea of an ending

With a blog it’s all about argument and conclusion. Though occasionally, as in my last All Hallows post, a little bit of creativity creeps in.

So will I return to this blog when I’m back from my time-out?

There has to be something obsessive about a political blog, and I may want to put obsession behind me. To walk and run and sing and play my guitar; to meditate and dream, to create; to give practical help to a charity, a church, even a political party. To go with the flow of the world, rather than try and arrest it – try and put it down in print and words.

We shall see. Maybe I’ll start Zentravel blog, and the Tao, the Camino, the way, will be my inspiration. Maybe Zenpolitics will become occasional, and less politicised. More chilled.

Do come back and take a look sometime