Fog and politics

A single bird was in unusual and glorious voice in thick fog at the top of the Common this early morning.  It’s the first day of February. I slowed my run, and listened. As if to a nightingale in the silence. Also this morning a coup in Myanmar, and by lunchtime indications that the South African version of the virus has touched down in the UK. We’ve incipient vaccine wars with the EU, who I want to support, but who’ve made fools of themselves, turning on Astra-Zeneca, and threatening UK supplies.

Back home, after breakfast I take refuge from all that’s happening and about to happen by putting, with my partner, Hazel, a few more pieces into our 1000-piece jigsaw. Jigsaws like early-morning runs (pilates for Hazel) can be surprisingly therapeutic.

I needed a little therapy. It’s a morning when the news gets you down. Might the answer be to walk away from it all? Does politics, as a discussion in the current edition of Prospect, has it, really matter? Academic Freya Johnston is pitched against old-school politician, Malcolm Rifkind.

Politics for Johnston is inseparable from the public dislike of politicians. ‘One reason that polls demonstrate indifference to politics is the public contempt for politicians.’ Rifkind accepts, as I do, that ‘normal people are more interested in their own well-being than by what happens on the national stage’. But on the plus side he quotes the vision of the politicians behind the launch of the NHS. Johnston ripostes that ‘rather, it responded to increasing social and cultural pressures’. Politics is of course the interplay between the two, politicians and public. Aneurin Bevan, who championed the NHS in parliament, was a good guy, and a hero. (We do need more like him.)

The exchange was depressing, with both sides reduced to quoting Jane Austen. Johnston needs reminding we are in a world of stark dualities, good and evil, compassion and cruelty, and, yes, liberal democracy and various forms of often brutal autocracy (and Trumpian shades inbetween). We can take nothing for granted. Public opinion does need to engage, whether it likes it or not.

Both the Economist (23rd January) and TLS (8th January) have featured a new book, ‘Out of the Ordinary’, by Marc Stears, which doesn’t shy away from voters’ disdain for politics and politicians. On the one hand we’ve the ‘technocrats’ of the Blair/Cameron era, on the other the ‘ideologues’ and zealotry of the Labour left. In both cases it’s ‘direction by others’. (Brexit has landed us instead with the zealotry of the Tory right, and their market obsessions.)

Stears argues for another approach, ‘the politics of the ordinary’. He likes the JB Priestley of ‘English Journey’. Nothing sentimental. Ditto George Orwell. We’re reminded of the Orwell aphorism that ‘to see what is in front of one’s nose needs a constant struggle’. Community engagement is fundamental to the picture, but I’d argue it’s not enough. Nor is the top-down, vote-buying capital investment the Tories talk about.

A genuine change of direction won’t come about by asserting that good sense and communitarian spirit will somehow win out in the end. But it would be helped by connecting ordinary folk, the you and me, and the next road, and the estate beyond the main road, with the economic and business as well as the social life of a community.

It would require a revival of a style of local government and local engagement that underpinned our politics until quite recent times. It would also involve short as well as long supply lines. Local suppliers employing local people to provide goods produced at a local level, alongside local services. Creating a landscape, a literal landscape, of SMEs – small and medium-sized enterprises, with government money supporting local business in a way people can connect to.  

It’s a direction of travel, not an easy answer. And it doesn’t discount the need for political and economic expertise, elites if you will. But it does require, and here I’m with Stears, that elites aren’t self-referential and self-serving, that they’re always connected, and don’t automatically renew.

I’m not arguing we turn our backs of the global world, or that we shouldn’t trade with Japan or South Korea or even China, but we do need a fundamental shift in the balance.

In this context I can’t let Freya Johnson get away with her ridiculous statement that ‘indifference [to the business of government] isn’t necessarily something to be lamented. It might even be strength’.

A few old-style ‘tribunes of the people’ might help. Marcus Rashford as he might be in a few years time. Trade unionists, remember Ernie Bevin and Jim Callaghan, brought hard experience from street and factory floor to government. It’s not so easy these days, but it’s that kind of connection from the street level via councils and other assemblies right up to parliament and the Cabinet that we need. I’m not against the occasional toff – we just need to mix them up with a few folk who’ve cut their teeth at a local level, and can bring a certain street-fighting capability to the business of government.

The obfuscations of 24-hour news, the miseries of Murdoch and Fox Media, the oddities of the Daily Mail – we have to do better. We thought the half-truths of social media were bad enough. Then came alternative truths, with conspiracy theories hot on their heels. We need an entirely different route, and disengagement Freya-Johnston-style from the process would be utterly foolish.

She’s an easy target, Freya Johnston, and I should dwell on her. Best to end by repeating that Orwell aphorism, ‘to see what is in front of one’s nose needs a constant struggle’.

George Orwell – lessons for a post-truth world

How do you define an essay, and how does an essay differ from a blog, or an article by a newspaper columnist?

Bernard Crick in his introduction to the Penguin Classics edition (published in 2000)  of George Orwell’s essays attempts a definition: it can be moral, didactic and serious … it can be informal and flexible, ‘above all it leaves the reader in some uncertainty about what is going to be said next’.

By comparison so much contemporary discourse is predictable: read a blog, your favourite blog, and you’ve a good idea what it might say.

Orwell as we all do had favourite themes (though he often surprises), but he approaches them in ways that are never tedious or predictable. The Prevention of Literature begins at a PEN Club meeting, ostensibly celebrating John Milton and freedom of the press, where none of the speakers highlight that freedom of the press means the freedom to criticise and oppose. (Two speakers eulogise the Soviet Union.) Antisemitism in Britain begins with specific examples (‘No, I do not like the Jews … Mind you, I’m not anti-Semitic, of course’), Politics and the English Language with passages which exemplify ‘a few of the bad habits which spread by imitation’, and How the Poor Die takes off on a harrowing journey based on his own experience in Hopital X in Paris in 1929.

The greatest joy in reading Orwell is his lucidity – and the sheer breadth of his experience and reading. (In Books v Cigarettes he owns to having just 442 books, and yet his range of reference and quotation is remarkable. There were of course always libraries.) His essays are models – and reminders – for our own time, as they were for the 1940s.

Likewise his conclusions. ‘The Catholic and Communist are alike in assuming that an opponent cannot both be honest and intelligent.’ We no longer have a Russian ‘mythos’ (‘true individuality is only attained through identification with the community’) but we have ‘mythos’ which are all our own, and a society which in recent years has become more divided and less tolerant.

We don’t play with ideologies as they did in Orwell’s time. But we tailor what we say or write, more dangerously, we tailor what we think, to received notions, put identity and security before intellectual challenge.  ‘A bought mind’, now as then, ‘is a spoilt mind.’

Orwell continues: ‘Unless spontaneity enters at some point or another literary creation is impossible, and language itself becomes ossified.’ What applies to literature also applies to politics.

What we also get from Orwell is a portrayal of the mood of his times, the anxieties of a wartime and immediately post-war would where one spectre of totalitarianism has been removed but another is asserting itself ever more strongly, good minds all around Orwell are signing up, and tempering their beliefs and writing to what they deem a higher cause. Orwell doesn’t question the aim, the emancipation of the working class, but is adamant that Soviet Russia isn’t the vehicle by which that might be achieved.

(We also pick up on his anxieties about a post-Christian, avowedly humanist society, where socialism as as an ideal, as an alternative to the afterlife, has been compromised, maybe fatally.)

Totalitarian regimes require misinformation, they write and re-write their own histories (pro-Soviet intellectuals were caught out by the 1939 German/Soviet pact, and caught out again when Germany invaded Russia in 1941). But apologists for Russia weren’t the only enemy.

‘Any writer or journalist who wants to retain his integrity finds himself thwarted by the general drift of society rather than active persecution.’ Examples include ‘the concentration of the press in the hands of a few rich men, the grip of monopoly radio and films, the unwillingness of the public to spend money on books…’

Misinformation in our own time has been well-disguised: it’s about how the news is framed and who does the framing – about how we, as watchers and listeners and readers with it, are manipulated. But post-Brexit, post-Trump, in the recent German election, it’s out in the open. Which side is putting out ‘fake news’?

Many of the essays were written for Tribune, and that meant a left-wing and intellectual audience. I’d guess that Orwell would love to have written for a wider audience, to have hustled in alongside a newspaper magnate (or maybe not!) as Michael Foot did with Beaverbrook in the 1930s, or better still find popular media outlets that weren’t in the hands of rich men. 1984 and Animal Farm, written at the same time as the Tribune essays, did of course break through, but at the level of the educated middle- not working-class. So the best Orwell could do, the best he could hope for, was to influence other writers, other opinion-formers, to lay out a course between the intolerancies of the Tory (and Catholic, as he saw it) right and the radical and Sovietised left.

He does this with grace and precision at the conclusion of his essay of antisemitism, arguing for integrity based on self-examination:

‘I defy any modern intellectual to look closely and honestly into his own mind without coming upon nationalistic loyalties and hatreds of one kind or another. It is the fact that he can feel the emotional tug of such things, and yet see them dispassionately for what they are, that gives him his status as an intellectual.’

Hatreds and loyalties aren’t confined to nationalism of course. (Another subject on which Orwell writes with great insight.) My only caveat is his use of the word ‘intellectual’. It is not beyond all of us in our educated world to step back and step back and view our world dispassionately.

One obstacle, a fundamental one, to our doing so, is our use of language.  Orwell is explicit on the subject in Politics and the English language:

‘…the present political chaos is connected with the decay of language … one can probably bring about some improvement by starting at the verbal end. If you simplify your English you are freed from the worst follies of orthodoxy … where you make a stupid remark it will be obvious, even to yourself. Political language … is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. One cannot change all this in a moment, but one can at least change one’s own habits …’

There’s a mighty challenge here, and the first thing I must do is re-read what I’ve written here – is it an essay or a blog or just a few ruminations ? – and see how it fares when judged against Orwell’s high aspiration.