The Lake District – Langdale valley, April, inclement

3pm said the forecast for the weather to go downhill. It’s 1.30 and we’re sheltering in the Sticklebarn pub in the Langdale valley. Only sheep and walkers and rain, or hail and snow and rain, happen in the Langdales. The seasons arrive late, but the weather arrives early.

Climbing up to Crinkle Crag – all hail and snow and gales, all hail Macbeth, and it’s rocky, and I’m wet, but there’s something bizarrely joyful about it all. What – in weather like this – the hell am I doing here?

Lichen, extravagant orange, marks marks grey stone – as if the farmer had thought a stone to be sheep, but his palette, equally extravagant (poor multi-coloured beasts) is red and blue. (And not just the sheep – for tractors his palette is red, yellow and green.)

A line of trees marking the road heading away down the valley appears to be a natural extension of our mountain path – but we must allow for a 1000ft drop down to….

a drowned landscape – every field waterlogged, patterning the land, picking out the rain sky, and the cloud sky, and the fleeting sunlight.

Screes emerge out of rock valleys and spill down the sheer side of Pike o’Stickle – once fifty years I ran the screes but could I have run these screes as once I thought and if I did how come I’m now alive?  Memory playing false. 

We met two other walkers, one having left at 7 and now wet and joyful and talkative and springing done the mountain, and another on the way up, gloomy, a grunt returns a greeting, a plague on other walkers – dealing with inner demons.

We have no inner demons, but it’s our fear of outer demons, interlacing the gale and hail, that drive us off the summit ridge. You can see the lines of hail on a photo of me, bedraggled, smiling – slow exposure (photo not me) in the gloom.

(Four years ago we were here, and walking down to Three Tarns we met someone who’d climbed Everest the previous year – and all four of us took a wrong path down. It was summer, and a 10-minute mistake. But I’ve always felt reassured that we shared our error with an Everest mountaineer.)

We’re back in the hostel. Once a Victorian baronial pile. Silence and you hear the wind in the high-vaulted roof. Talk and words resound – you hear life stories, and they echo round. Hotels are for privacy, hostels are for sharing histories and exploits.

Youth hostels – almost fifty years on, and we’re all ages, and school-holiday children are belting around, making noise, and no-one cares. Who needs hush inside, when all is gale outside. Or in the morning after the gale, when all is still.

A day of innocence

The subject is innocence (sounds like I’m an old-style, tub-thumping bible preacher – but do read on!), with Philip Larkin’s poem MCMXIV (1914) my starting point:

Never such innocence,/Never before or since,/ As changed itself to past/Without a word – the men/ Leaving the gardens tidy,/The thousands of marriages/Lasting a little while longer:/ Never such innocence again.

Larkin’s poem, to which I’ll return, is about innocence lost as we went to war, an innocence of the consequences, an innocence we could never see again.

But here is also another innocence, what I’ll call ‘found innocence’, which we find by looking within, and which helps us to understand a little more about ourselves.

For me the quiet interiors of country churches are places of innocence, where we stand simply and openly and innocently before God. In one church, Winstone, in the Cotswolds they invite you to say the collect of the day, aloud, so the church is prayed in every day, even if no priest or congregation is there to read or witness. So that’s what we did, and I felt a strange and special innocence that moment, as if I was a middle man, briefly connecting God and the world.

If that’s too spiritual, there’s another innocence, the innocence of animals, from which we can learn about ourselves, and which should determine our attitudes toward animals. There’s a letter in the Economist on behalf of the Nonhuman Rights Project in New York which expresses this beautifully: ‘The Nonhuman Rights Project does not demand human rights for animals. Rather, it wants chimpanzee rights for chimpanzees, orca rights for orcas, elephant rights for elephants.’ Animals may be in our terms cruel or violent, but they act as evolution dictates. We may choose to eat animals but that doesn’t mean that we should act with cruelty toward them, or deny them a ‘natural right’ to live in their natural state.

We are in this case not so much intermediaries between God and the mankind, but between nature and mankind. We have a responsibility both to the animal world and to our own species. If ultimately we mistreat animals we mistreat ourselves, and devalue our own innocence.

And, finally, back to Larkin. I read his poem, MCMXIV, for the first time at lunchtime today. Immediately after lunch I drove to a local supermarket, and put on my car radio. It was a programme, Brain of Britain, that I hadn’t listened to for many years. And the first question: the quote I’ve printed above, and the question – from what poem with a title in Roman numerals does the poem come?  This was all too much of a coincidence for me. If I innocently believed coincidence to be no more or less than an accident of timing, the absolute perfection of this coincidence challenged that belief as never before.

How it can be explained I simply don’t know. But if ever a day was a day of innocence – me thinking on the subject, rather than consciously acting innocently! – today was that day.