No Martians on the Camino

I haven’t see the movie of The Martian. It came out while I was walking the Camino. But I’ve now read the book…

Mark Watney, left behind in a Martian sandstorm, drives his Mars rover 3200 km to get to the MAV – Mars Ascent Vehicle, which will be,  he hopes, his escape.

What I love is the guy’s cool. An engineer and a botanist he comes up with strategies for everything that hits him, sometimes literally, and has the technical nous to tear apart and rebuild and concoct out of nothing on seemingly endless occasions. He grumbles about the audio books – including Agatha Christie – that are all he has to read, and he survives on Mars-grown potatoes. But he stays on course, remains hyper-normal, and mindful. Staying on task is what it’s all about. After a short which ends his communication with NASA he’s in his own, works out his solutions – but guesses rightly that half  the world is watching him on their TV screens.

We sit here in our comfortable chairs reading, entirely passive save for a few firing synapses and he’s taking on the universe, or if not the universe a sandstorm or two, a decidedly oxygen-free world, a surfeit of CO2 (his own fault – he shouldn’t breathe) and a few more problems.

But … seen from another perspective he’s almost an automaton, there’s awareness of his predicament, and a dry (appropriate given where he is) sense of humour but little awareness of self – no emotion, fear, anxiety – no sense of wonder. He’s grateful to Phobos as a navigation system, but decidedly rude about Mars’s smaller moon, Deimos. Maybe after so much time out in space he’s simply inured to it all.

That said, as an inspired problem-solver, he is a wonder in himself. I’ll be interested to see what the movie and Matt Damon make of him.

I first walked on Mars in my imagination when the BBC conjured the planet Hesikos in a TV series, The Lost Planet, when I was all of … maybe 7 years old. It wasn’t Mars – but close.

Mars was a morning star last autumn, innocent in the pre-dawn.

And that takes me back to the Camino, where there was only the day’s walking to plan, the route was more or less pre-ordained. We were solitary, but we were aware of self, and others, and landscape and history, and the wonder of God’s creation.

Two different worlds.

 

That old collection of LPs

We’re rediscovering vinyl, or as once it was, LPs.

My daughter now has a turntable, as a Christmas present, and I want one. Boxing Day evening we sat down and played music, vinyls she’s just been given of War on Drugs and Tame Impala (band names, for the uninitiated) – and then some real oldies from my collection which haven’t seen a turntable for 20 years.

Sergeant Pepper for one. I’d bought the LP on 1st June 1967, its release date, and retired to my room on Oriel Street to listen. I can still remember a mild perplexity listening to the first track, to the band striking up.

And now? A Day in the Life, A Little Help from my Friends… I’ve listened to the CD in recent years, but the tracks all sound way better on vinyl. Maybe it’s just watching the rotation, being mesmerised, watching the needle. Maybe the sound is actually better. There’s an immediacy about vinyl that there isn’t about a CD which we slide into our music system, and the sound surrounds us, there’s no locus, or an MP3 file which even more is pure sound, all virtual, nothing else. Do we need some kind of focus for our musical attention? At least give me something tangible – give me a record sleeve. Remember all those wild Roger Dean album covers from the 60s and 70s!

I mention vinyls to friends and there’s a refrain I hear – ‘I chucked them out 20 years ago.’ A minor gloat – I didn’t, and there’s a whole world of discovery, re-discovery, awaiting me. And maybe they’re actually worth a bob or two!

We tried a recording of Tub Jug Washboard Band music, one those happy musical byways I explored in my Oxford days. ‘Catch another mule sleeping in my stall/mama, going to tear it down.’ Love the image. Wonderful, crazy – and obscure.

And then the second James Taylor album, which I’d bought when it came out in 1970. Nothing obscure here. He’s as popular today as back in 1970. ‘Country Roads’ accompanied Martin Sheen as he walked the Camino, or at least the soundtrack did!

Joni Mitchell – ‘Michael from mountains/go where you will go to/know that I will know you/someday I will know you very well.’ All sorts of resonances from the past, shared with Rozi, who loves America, and loves song, and connects to Joni Mitchell as I do. Will thirty years on the next generation connect to another great songwriter, and Rozi’s hero, Sufjan Stevens? Let’s hope so.

Rozi has her turntable. And I will shortly have mine, and I’ll play my old collection, 200, maybe 300, one by one, and dig out the memories and the associations each has. Blues and folk music – so much that I used to sing, and have almost forgotten.

Almost, but not quite.

Tonight there’s an Open Mic evening at the local pub, the Black Horse, and I might just sing one or two of the blues hollers and the folk songs that I used to sing in clubs either side of 1970. I don’t need to hit high notes… the old bass resonances are still there, and that’s what matters, I can still deafen myself and others, given half a chance.

I will report back…..

No go. Pub too crowded, no space for a newcomer! But for next time I have a holler or two (Red Cross Store – a place to be avoided, charity in 1920s America, with strings), and a few folk songs  (Euan McColl’s version of To the Beggin’ I Will Go – if you didn’t want to work the looms, you could take to the road). You can get a great driving rhythm going on both.

No Country For Old Brits

Just finished a quick reading of No Country For Old Men. A landscape of violence, where even Sheriff Bell finds no hope, where the devil at work maybe the only explanation. Compare the very different noir landscape of Brighton in the recent Brighton Rock movie (based on the Graham Greene novel of course), Pinkie the Chigurh equivalent, the difference being that Pinkie is on his way down, faced with life and death decisions, where he chooses death, another person’s, each time. Chigurh is already there, the only decisions he makes are death decisions, save for when he tosses a coin to decide Carla Jean’s fate (the coin falls the wrong way), but even that palls before the degradation of Pinkie urging suicide on Rose.

That really is enough of that. I turned for restoration (by way of extreme contrast!) to January in Roger Deakin’s Notes From Walnut Tree Farm where there is peace in landscapes where man and nature have evolved side by side, rather than one all but seeking the destruction of the other. Texas may have redeeming features (we know Brighton has a few), but Cormac McCarthy sure as hell doesn’t want us to know about them.