Category: Music

Obama chops Trump down

Lovely to see – to hear – Obama chopping Trump down. Being president is not about a being a talk show host, about marketing, about publicity, it’s about making difficult decisions, and some are unpopular, some will hurt people, and being well-briefed in your dealings with other world leaders – they too have ‘their own crowds back home’. That last point I especially liked – you, Donald, are not alone in this world.

There’s a piece in the Economist on American conservative talk radio, hosted by the semi-crazed (Rush Limbaugh, Glenn Beck) who somehow in the rarefied air of the prairies don’t just to get a hearing but strike a few big chords – or a few bum notes. If bum notes are all you hear, would you recognise a chord?

Does it give joy to Trump to be supported by such people – how much of a conscious game is he playing with them – feeding them pap?

Ted Cruz is no better, but while you feel that for Trump it is a big game, and a big ego, for Ted Cruz it is deadly, evangelically serious. He also feeds the talk shows with great material. The trouble is – he believes it all, and he can express himself with a degree of coherence. And he is so sure he’s right that compromise and balance, which is what the American constitution requires, gets shown the door. And America becomes ungovernable, as it halfway is now.

What also bugs me is Cruz’s call on the Bible, and Jesus, to support him. He sure as hell – almost literally – wouldn’t get close to the pearly gates. America has always been too good – the prairies again – at creating its own religions.

Only one small pleasure in all this – a little bit of humour – Fox News almost the good guys. They do at least have a small idea that politics is about governing – and governing, as John Kasich the best of the Republican contenders has made clear, is a serious matter, about results and balanced budgets and not public platforms.

The UK is – to use totally the wrong expression – a different ballgame. But we also have the same populist right-wing nonsense to deal with and it’s big in the media – thank God we’re spared talk shows. But we do, sadly, have the Mail.

Obama mentions that one aspect of government is looking out for the underdog – ‘standing up for people who are vulnerable and don’t have some powerful political constituency’. And that is the ultimate litmus test of any politics.

To quote Bob Dylan’s Chimes of Freedom, which I’ve done before:

Tolling for the aching ones whose wounds cannot be nursed/ For the countless confused, accused, misused, strung-out ones an’ worse/ An’ for every hung-up person in the whole wide universe/ An’ we gazed upon the chimes of freedom flashing

New Year – Vienna comes to the Cotswolds

New Year’s Day, and I’m celebrating gently at this moment listening to Strauss waltzes, polkas and marches from the Musikverein in Vienna, always a wonderful way to start the year. Full of optimism, music with a spring in its step, an abundance of gold, not least the coffered and corniced and painted ceiling, everyone super-smart dressed, the secretary-general of the UN in the audience, ballet out at Schoenbrunn, and even the occasional touch of calculated lunacy in the orchestra.

Back when I was 10 years old my soon-to-be stepmother brought me back from Vienna an EP, which I still have, of the Vienna Boys’ Choir – children’s songs, including Trara die Post ist da, which I used to sing to my children. And there they are this morning, high above the orchestra, singing in that same crisp and mannered style, and looking terribly smart.

The whole occasion is a throwback to the high days of the Austro-Hungarian Empire, when emperor and court would attend such events. There’s a strange sadness interwoven with the exuberance, a sense of the old Vienna, in its heyday, one of the world’s great cities, full of self-belief, with no sense of a future which took out Hungary, the Alto Adige and more from the old empire and left only Austria, and a Vienna which had to suffer the Anschluss before reinventing itself post WW2. Edmund de Waal’s The Hare with Amber Eyes tells the tell through one family quite brilliantly.

Should we lament this world, its elites and arrogance and gilded Baroque grandeur? Of course not. But … if you get carried along by the waltzes and the dance and the ambience you can imagine it as some kind of a lost paradise. Imagine it. A little bit of Ruritania, a world of childhood and make-believe fashioned for adults.

We can’t escape ambivalence. All that pleasure, and a touch of guilt. Somehow adds to the enjoyment.

And what of this New Year? It starts as always with a bounce and optimism, probably all too quickly undone. There will be celebration, it’s an Olympic year, and triumph, the human spirit proving itself in adversity – and new crises, and the old crises – refugees at this moment waiting to cross from Turkey to Greece, and IS still working its evil.

Will the world solve old problems more than create new ones? Shift the balance of the scale a little?

I will live in hope.

Last night, half-past midnight, I looked out across the valley, from our New Year’s party, hardly a light amidst the fields and woods, but above a half-moon, last-quarter, climbing the eastern sky, and to the south Orion, and the air cold and turning frosty – the first frost of the over-mild December just expired, and the first of the new January.

Come the morning, three hours ago, pulling the curtain back, all was grey, the east now delivering a chill wind as I ran along the lanes and across the common, ahead of the promised rain….

But, damn it, there is an extra spring in my step, then, and now, a few hours later, after a village walk and Christmas cake and mince pies.

I had literally waltzed in my heavy walking boots down the hill, humming the Blue Danube, and adapting the Radetsky March. Hazel, my partner, didn’t know what to make of it, or me. I didn’t get beyond two disastrous dancing lessons in my teens, but I almost floated this time, in a clumping sort of way.

I will probably clump my way through 2016, but I will aim to do so exuberantly.

That old collection of LPs

We’re rediscovering vinyl, or as once it was, LPs.

My daughter now has a turntable, as a Christmas present, and I want one. Boxing Day evening we sat down and played music, vinyls she’s just been given of War on Drugs and Tame Impala (band names, for the uninitiated) – and then some real oldies from my collection which haven’t seen a turntable for 20 years.

Sergeant Pepper for one. I’d bought the LP on 1st June 1967, its release date, and retired to my room on Oriel Street to listen. I can still remember a mild perplexity listening to the first track, to the band striking up.

And now? A Day in the Life, A Little Help from my Friends… I’ve listened to the CD in recent years, but the tracks all sound way better on vinyl. Maybe it’s just watching the rotation, being mesmerised, watching the needle. Maybe the sound is actually better. There’s an immediacy about vinyl that there isn’t about a CD which we slide into our music system, and the sound surrounds us, there’s no locus, or an MP3 file which even more is pure sound, all virtual, nothing else. Do we need some kind of focus for our musical attention? At least give me something tangible – give me a record sleeve. Remember all those wild Roger Dean album covers from the 60s and 70s!

I mention vinyls to friends and there’s a refrain I hear – ‘I chucked them out 20 years ago.’ A minor gloat – I didn’t, and there’s a whole world of discovery, re-discovery, awaiting me. And maybe they’re actually worth a bob or two!

We tried a recording of Tub Jug Washboard Band music, one those happy musical byways I explored in my Oxford days. ‘Catch another mule sleeping in my stall/mama, going to tear it down.’ Love the image. Wonderful, crazy – and obscure.

And then the second James Taylor album, which I’d bought when it came out in 1970. Nothing obscure here. He’s as popular today as back in 1970. ‘Country Roads’ accompanied Martin Sheen as he walked the Camino, or at least the soundtrack did!

Joni Mitchell – ‘Michael from mountains/go where you will go to/know that I will know you/someday I will know you very well.’ All sorts of resonances from the past, shared with Rozi, who loves America, and loves song, and connects to Joni Mitchell as I do. Will thirty years on the next generation connect to another great songwriter, and Rozi’s hero, Sufjan Stevens? Let’s hope so.

Rozi has her turntable. And I will shortly have mine, and I’ll play my old collection, 200, maybe 300, one by one, and dig out the memories and the associations each has. Blues and folk music – so much that I used to sing, and have almost forgotten.

Almost, but not quite.

Tonight there’s an Open Mic evening at the local pub, the Black Horse, and I might just sing one or two of the blues hollers and the folk songs that I used to sing in clubs either side of 1970. I don’t need to hit high notes… the old bass resonances are still there, and that’s what matters, I can still deafen myself and others, given half a chance.

I will report back…..

No go. Pub too crowded, no space for a newcomer! But for next time I have a holler or two (Red Cross Store – a place to be avoided, charity in 1920s America, with strings), and a few folk songs  (Euan McColl’s version of To the Beggin’ I Will Go – if you didn’t want to work the looms, you could take to the road). You can get a great driving rhythm going on both.

Christmas morning

My daughter Rozi introduced me to a favourite song over our Christmas breakfast of smoked salmon, mushrooms and scrambled egg. ‘A cliche to be cynical at Christmas,’ the song’s called (yes, that’s right), by a band called …. Half Man Half Biscuit.

I ran down to the river at 8.30 this Christmas morning, and said a big Happy Christmas to every one I saw – five people in all, three of them ladies walking dogs – happy smiles and hellos. And two grumpy men.

But not a time to be cynical.

Not just at Christmas but every minute of every day of every year cynicism is an omelette…

That should have been ‘a complete’. Thank you spellcheck, that’s a beauty. Let’s try again.

Not just at Christmas but every minute of every day of every year an omelette is a complete waste of space.

Before we suspect another’s motives, question our own omelettes.

And that is quite enough of that.

I’d intended a serious point for this Christmas blog. But we all ended up laughing instead. 

One problem with writing blogs – you can be too b….. pompous. 

Christmas Eve – the other story

Christmas is a time for charity – but that doesn’t seem to go far when we think of all the violence in the world.

It’s been a year of refugees and displacement.

I listened to Bob Dylan’s Chimes of Freedom earlier today and the words won’t leave me. (I’m only quoting here, not providing the full lyric.) The second line I’ve quoted remembers refugees. How could we, remembering the crisis at the end of World War II, have allowed it to happen again?

….Flashing for the warriors whose strength is not to fight/ Flashing for the refugees on the unarmed road of flight/ An’ for each an’ ev’ry underdog soldier in the night …. /

….Tolling for the deaf an’ blind, tolling for the mute / For the mistreated, mateless mother, the mistitled prostitute/ For the misdemeanor outlaw, chased an’ cheated by pursuit …. 

…..Tolling for the aching whose wounds cannot be nursed/ For the countless confused, accused, misused, strung-out ones an’ worse / An’ for every hung-up person in the whole wide universe

An’ we gazed upon the chimes of freedom flashing.

There’s an editorial in the Christmas edition of The Week which argues that ‘people … aren’t that nice’, that Scrooge had a point. If we’re to like others, better they think as we do. Best just to come to terms with the fact, and get on with life.

That sounds all very reasonable, better not to seek the unattainable, we’ll do better if we understand our deficiencies.

But it’s precisely what we have to get beyond.

Compassion isn’t somehow a compromise with our selfish side, something which we engage in out of conscience and a mite reluctantly and find to our surprise that it’s quite rewarding. Compassion is where our true nature shows itself, and the rewards are immeasurable. Peace of mind, yes, but not peace because we seek it, but because it goes with the territory of caring for others. It’s the Buddhist message – our ‘original face’, and the Christian message – more than a pre-lapsarian state of grace, Adam and Eve in the garden – something that’s alive in the heart. And it’s the humanist message too, when we get beyond self.

Leonard Cohen sketches a wonderful, haggard and mournful face in his ‘Book of Longing’, literally sketches, and captions the sketch ‘a private gaze’, followed by the words

‘even though he was built to see the world this way, he was also built to disregard, to be free of the way he was built to see the world.’

I like that. We don’t have to resign ourselves to a selfish human nature. We are built to disregard. Dylan reminds us of a few of the million ways the world malfunctions. And we can do something about it.

A winter’s day in a deep and dark December

Paul Simon’s opening lines to ‘I am a rock’.

And there’s the fourth verse:

‘I have my books and my poetry to protect me
I am shielded in my armor, hiding in my room, safe within my womb
I touch no one and no one touches me …’

I began the day in the Cotswolds.

The wind howled all night. The depressions keep rolling in. It’s way too warm, and the seasonal outbreaks of frozen hands and chilblains are in abeyance. We’ve still, though, got our winter fuel allowance, being over 65. Motorways are a mass of muck and spray, and trains are no doubt already overloaded. Christmas four days away.

First thing I ran down to the Painswick Stream, and up again across the common. I didn’t see a soul, only a few cows, to whom of course I said hello. The southerly wind was strong enough to feel chill, but tucked between hedgerows all was still, and as I began the climb back I could see the sun, just risen below the hill, touching the clouds a gentle pink and red. And yes, there was blue sky.

By mid-morning the storm was raging, and the trees bending before the wind. And I had the motorway ahead of me.

Back in my London flat another kind of peace, the steady hum of traffic on the main road below. Enough, I thought, and put on a new album of Bob Dylan songs recorded by other artists.

‘I am a rock/I am an island,’ is the refrain of Paul Simon’s song.

But the ocean, and the rain, is Bob Dylan’s:

‘Then I’ll stand on the ocean until I start sinkin’
But I’ll know my song well before I start singin’
And it’s a hard, it’s a hard, it’s a hard, it’s a hard
It’s a hard rain’s a-gonna fall’

 

Where silence and art almost touch…

Blaise Pascal: ‘All of humanity’s problem stem from man’s inability to sit quietly in a room alone.’ Jolyon Connell in The Week is my starting-point here. He also quotes Steve Taylor: ‘The urge to immerse our attention in external things is so instinctive we’re scarcely aware of it.’ E-mails, tweet and texts only feed our longing to be distracted.

How absurd it all is. And need it be this way? We’re so locked into our culture we don’t give ourselves a chance. Television long ago took over the quiet of the sitting room. 24-hour news only dates back maybe only ten years, but it seems longer. Once upon a time there was  the 9 o’clock news when we’d sit and listen expectantly to the radio. Go back a few generations and we’d be waiting for the peddler selling chapbooks or for the town crier…

There is no greater joy an immersing yourself in the quiet. Or total immersion in art or music, and I’m thinking of Beethoven’s 9th as I write, having just emerged (literally it seems) from listening (on the radio) to an extraordinary performance by the Leipzig Gewandhaus Orchestra at the Proms. The mind no longer wanders or diverts.

In the one case it rejoices in silence, in the other in the supreme patterning of sound.

Ordinary life is so full of static, of the irregular, confusing, the half- or unfinished. If we achieve anything we do so while fending off endless irrelevancies. There is another way, as the Buddha taught 2,500 years ago. Life doesn’t have to be a reckless pursuit of the never achieved. (For do we ever actually achieve, in any permanent sense?) In silence and a quiet mind there is all you need, and if you require a reckless pursuit take joy in those final moments of the Choral Symphony, when joy is all-consuming and lifts your concentration and your mind to another level.

Come the final chord all I had to do was turn the radio off before the Proms audience exploded into cheers. I failed. But their joy was mine also. Silence had to wait a little longer.